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    Agustín Barrios Mangoré Complete Music for Solo Guitar - Cristiano Porqueddu

    Agustín Barrios Mangoré Complete Music for Solo Guitar
    Anno di pubblicazione: Dicembre 2010
    Etichetta discografica: Brilliant Classics
    Periodo: Febbraio 2009 – Settembre 2010
    Sede: Chiesa La Solitudine e San Carlo, Nuoro
    Chitarra: Giussani 2005, Lorenzatti 2010,
    Guagliardo 2003
    Corde: Augustine Imperials

    La Brilliant Classics inizia oggi la distribuzione del nuovo CD Set dedicato alla musica originale per chitarra.
    Composto da 6 CD "Agustin Barrios - Complete Music for Solo Guitar" contiene 6 ore e 25 minuti di musica dedicati alla musica originale per chitarra del compositore paraguayano Augustín Pío Barrios Mangoré (5 maggio 1885 – 7 agosto 1944)

    La tracklist completa:

    -------------------------------------------
    > CD 1 of 6 <
    -------------------------------------------
    01. A mi madre
    02. Abri la puerta mi china
    03. Aconquija
    04. Aire de Zamba
    05. Aire popular paraguayo
    06. Aire Sureno
    07. Aires Andaluces
    08. Aires Criollos
    09. Aires Mudejares (Apuntes)
    10. Allegro sinfonico
    11. Altair
    12. Arabescos
    13. Armonias de America
    14. Bicho Feo
    15. Cancion de la Hilandera
    16. Capricho Espanol
    17. Choro da saudade
    -------------------------------------------
    Total: 01:06:41

    -------------------------------------------
    > CD 2 of 6 <
    -------------------------------------------
    01. Confesion
    02. Contemplacion
    03. Cordoba
    04. Cueca
    05. Danza en re menor
    06. Danza Guaranì
    07. Danza Paraguaya
    08. Diana Guaranì
    09. Dinora
    10. Divagacion en imitacion al violin
    11. Divagaciones Criollas
    12. Don Perez Freire
    13. El sueno de la munequita
    14. Escala y preludio
    15. Estilo - Chinita
    16. Estilo Uruguayo
    17. Estudio de concierto
    18. Estudio de concierto No.2
    -------------------------------------------
    Total: 01:04:15

    -------------------------------------------
    > CD 3 of 6 <
    -------------------------------------------
    01. Estudio del Ligado (A major)
    02. Estudio del Ligado (D minor)
    03. Estudio en arpegio
    04. Estudio en si menor
    05. Estudio en sol menor
    06. Estudio inconcluso
    07. Estudio No.3
    08. Estudio No.6
    09. Estudio para ambas manos
    10. Estudio Vals
    11. Fabiniana
    12. Gavota al estilo antiguo
    13. Grano de arena
    14. Habanera
    15. Humoresque
    16. Isabel
    17. Jha Che Valle
    18. Jota
    19. Julia Florida
    20. Junto a tu corazon
    21. La bananita
    -------------------------------------------
    Total: 01:00:29

    -------------------------------------------
    > CD 4 of 6 <
    -------------------------------------------
    01. La Catedral 1 - Preludio
    02. La Catedral 2 - Andante religioso
    03. La Catedral 3 - Allegro solemne
    04. La samaritana
    05. Las Abejas
    06. Leyenda de Espana
    07. Leyenda Guaranì
    08. London Carapé
    09. Luisito
    10. Luz Mala
    11. Mabelita
    12. Madrecita
    13. Madrigal Gavota
    14. Maxixe
    15. Mazurka apassionata
    16. Medallon antiguo
    17. Milonga
    18. Minueto en do
    19. Minueto en la No 1
    20. Minueto en la No 2
    -------------------------------------------
    Total: 01:07:34

    -------------------------------------------
    > CD 5 of 6 <
    -------------------------------------------
    01. Minueto en mi
    02. Minueto en Si Mayor
    03. Oracion por todos
    04. Oracion
    05. Pais de Abanico
    06. Pepita
    07. Pericon
    08. Preludio en Do mayor
    09. Preludio en do menor
    10. Preludio en la menor
    11. Preludio en mi menor
    12. Preludio en Mi
    13. Preludio en re menor
    14. Preludio Op.5 No.1
    15. Rancho Quemado
    16. Romance de la India Muerta
    17. Romanza en imitacion al violoncello
    18. Sargento Cabral
    19. Sarita
    20. Serenata Morisca
    -------------------------------------------
    Total: 01:07:15

    -------------------------------------------
    > CD 6 of 6 <
    -------------------------------------------
    01. Tango No.2
    02. Tarantella
    03. Tua Imagem
    04. Un Sueno en la Floresta
    05. Una limosna por el amor de Dios
    06. Vals di Primavera
    07. Vals Op.8 No.3
    08. Vals Op.8 No.4
    09. Vals Tropical
    10. Variaciones sobre el Punto Guanacasteco
    11. Variaciones sobre un tema de Tarrega
    12. Vidalita
    13. Vidalita con variaciones
    14. Villancico de Navidad
    -------------------------------------------
    Total: 01:09:45
     
    Alcune anteprime sul canale SoundCloud dedicato alla pubblicazione:
     

     

    1920-1940 Guitar Masterworks, Luigi Attademo

    1920-1940 Guitar Masterworks è il titolo del nuovo CD di Luigi Attademo. La tracklist è incentrata su alcuni dei più bei lavori per chitarra del Novecento.
    Nel dettaglio:
    Manuel de Falla (1876 - 1946)
    01. Homenaje pour le tomeau de Claude Debussy Joaquin Turina (1882 - 1949)
    02. Fandanguillo Manuel Maria Ponce (1882 - 1948)
    03. Thème Variè et Finale Mario Castelnuovo-Tedesco (1895 - 1968)
    Sonata omaggio a Boccherini    04. Allegro con spirito    05. Andantino, quasi canzone    06. Tempo di Minuetto    07. Presto furioso Heitor Villa-Lobos (1887 - 1959)
    08. Prelude No.1 09. Prelude No.2 10. Prelude No.3 11. Prelude No.4 12. Prelude No.5  

    Laureate Series, Adriano del Sal

    La collana "Laureate Series" della Naxos include da oggi il nuovo disco di Adriano Del Sal
    La tracklist include:
    1.    Alborada by Francisco Tárrega   2.    Capricho árabe by Francisco Tárrega   3.    Minuetto by Francisco Tárrega  4.    Columpio by Francisco Tárrega  5.    Rosita by Francisco Tárrega  6.    Fantasia for Guitar in C minor, Op. 7 by Fernando Sor  7.    Characteristic Pieces (6) for Guitar by Federico Moreno-Torroba  8.    Invocación y Danza for Guitar "Hommage a M de Falla" by Joaquín Rodrigo  9.    The Mission: Gabriel's Oboe by Ennio Morricone 
     

    Red, Marco Sartor

    L'etichetta discografica Fleur de Sons Classics rende noto che è disponbile il nuovo CD di Marco Sartor: "Red"
    La tracklist:
    Abel Fleury
    1. Pegando La Vuetta
    2. Relato
    3. Real de Guitarreros
    John Dowland
    4. Lachrimae Pavan
    5. Sir John Smith His Almaine
    Manuel Ponce
    6. Allegro moderato
    7. Andante
    8. Allergo non troppo
    Domenico Scarlatti
    9. A minor K. 466, L. 118
    10. E minor "Pastorale", K. 9, L.413
    11. A major, K. 209, L.428
    Tom Eastwood
    12-13. Ballade Phantasy
    Fernando Sor
    14. Les Adieux, Fantasy No. 6 Op. 21
    Nikola Starcevic
    15. Asiana V
     
     
     

    Antón García Abril Guitar Music, Francisco Bernier

    Antón García Abril Guitar Music, Francisco Bernier
    Il nuovo CD di Francisco Bernier dedicato alla musica di Antón García Abril (1933) pubblicato da Naxos
    Tracklist:
    1. Fantasia mediterranea 00:11:25 Evocaciones 2. I. Moderato 00:05:14 3. II. Allegro 00:06:03 4. III. Moderato 00:03:34 5. IV. Liberamente 00:04:40 6. V. Allegro 00:05:30 Sonata del Portico 7. I. Allegro 00:05:20 8. II. Contemplativo y con libertad 00:07:47 9. III. Allegro deciso 00:04:50 3 Preludios Urbanos 10. No. 1. Preludio de Paris 00:04:52 11. No. 2. Preludio de Atenas 00:04:43 12. No. 3. Preludio de Madrid 00:05:46 Dal sito dell'editore:
    The music for solo guitar of the prolific and influential Spanish composer Antón García Abril includes an impressionistic panorama of diverse Mediterranean moods, lively dance rhythms, introspective episodes and nocturnal harmonies, as well as his homage to the legendary guitarist Andrés Segovia. The Sonata del Pórtico pays musical tribute to Compostela cathedral’s famous sculptured ‘Porch of Glory’, while the Three Urban Preludes celebrate the great cities of Paris, Athens and Madrid with characteristic élan, rhapsody and vibrancy. First prize winner of Italy’s prestigious International Competition Michele Pittaluga and recipient of more than twenty international prizes, Francisco Bernier enjoys an international career.

    Fernando Sor 20 Studies for Guitar, Cristiano Porqueddu

    Sono lieto di annunciare che Brilliant Classics ha iniziato la distribuzione del CD "Fernando Sor 20 Studies for Guitar". La registrazione è basata sulla nuova edizione (Ed. Curci, 2008) curata dal chitarrista-compositore contemporaneo Angelo Gilardino.
    Dal sito dell'editore:
    The first complete recording based on the new Curci edition of the famous 20 Studies of the Spanish composer Fernando Sor (1778 – 1839) selected by Andrés Segovia and edited by Angelo Gilardino.
    Angelo Gilardino (Vercelli, Italy, 1941), composer, guitarist, musicologist and teacher, was the artistic director of the Andrés Segovia Foundation at Linares (Spain) from 1997 until 2005. He rescued many unknown works for guitar in the Segovia’s archive, providing a powerful contribution to the repertoire of this instrument in the 20th century.
    Completely revisited in the timbres and colors of high value music for six strings belonging to the classical repertoire and of great interest to students and professionals.
    A complete and innovative reading, carried out thanks to ‘urtext’ version, the latter the result of a comparison of minunzioso sources. It follows a synoptic reading of the two versions from which emerge in a transparent way the nature of the work of Segovia and creative teaching of a classical author that he read and interpreted in the light of his aesthetics and his ideal.
    --
    Anno di pubblicazine: 2010
    Etichetta discografica: Brilliant Classics
    Periodo: 8-22 Novembre 2009
    Sede: Chiesa La Solitudine e Chiesa San Carlo
    (Nuoro, ITALIA)
    Chitarra: Giuseppe Guagliardo, 2003
    Corde: Augustine Imperials

    The Classical Guitar Collection 25 CD Set, AAVV

    The Classical Guitar Collection è un cofanetto di 25 Cd (!) dedicato al repertorio per chitarra della major discografica Brilliant Classics.
     
    Dal sito dell'editore:
    Probably one of the most extensive surveys of classical guitar on record, this 25 CD collection is a must for lovers of the instrument. Starting with the lutenist composers of the 16th century such as Alessandro Piccinini, the collection then moves to the Barock period with music by J.S. Bach and his sons, plus the great Domenico Scarlatti's sonatas. This survey then takes us through the early Romantic period with the three grand concertos for guitar and orchestra of Giuliani, a friend of Beethoven and Hummel, and the great Fernando Sor who was known as 'the Beethoven of the guitar'. Giuliani's rarely heard fantasias on themes by Rossini, and sinfonias on Mozart's La clemenza di Tito and Bellini's Il Pirata are also to be found here as well as his remarkable paraphrase of Rossini's Semiramide which takes up CDs 16 and 17! The world of
    transcriptions is also covered with examples of Chopin and Mendelssohn's music for the guitar. The 20th century CDs are dominated by the great Segovia whose influence on composers for the instrument cannot be underestimated. The most famous modern work, Rodrigo's Concierto de Aranjuez of 1939 as well as music by his brother Eduardo is to be found on CD19. Castelnuovo-Tedesco's famous concertos and the concerto of Ponce complete the Segovia commissioned sequence. The present day is represented by Angelo Gilardino, Maximo Diego Pujol, and Leo Brouwer.

    Johann Kaspar Mertz Gitarrenduos, Duo Ghiribizzo

    E' uscito per l'etichetta MAP il nuovo CD del Duo Ghiribizzo - Paola Minussi e Joachim Geissler, chitarre dell'800.
    Il CD contiene tutti i sedici brani originali e completi per due chitarre, suonati su strumenti d'epoca.
    Johann Kaspar Mertz (1806-1856) - gitarrenduos
    01.    Der Ball 02.    Ständchen 03.    Unruhe 04.    Vespergang 05.    Impromptu Nänien: 06.    No. 1 Am Grabe der Geliebten 07.    No. 2 Ich denke Dein 08.    No. 3 Trauermarsch 09.    Première Grande Fantaisie concertante «La Rage» 10.    Erinnerung an Ungarn, Band 1 11.    Erinnerung an Ungarn „Nationalmelodien“, Band 2 12.    Deutsche Weise 13.    Tarantelle 14.    Wasserfahrt am Traunsee 15.    Barcarole 16.    Mazurka J.K. Mertz è da sempre uno dei nostri compositori preferiti, fin da quando nel 1998 abbiamo fondato il Duo Ghiribizzo e abbiamo deciso di dedicarci al repertorio dell?Ottocento e agli strumenti originali dell?epoca romantica. Mertz occupa un posto speciale nel nostro repertorio e nei nostri cuori, perchè le sue composizioni per duo di chitarra rivelano un artista pi? attento alla poesia e all'introspezione intimistica che a un virtuosismo strumentale fine a se stesso. 
    In occasione del nostro decimo anniversario di attività abbiamo deciso di regalarci questa incisione e di realizzare un desiderio che avevamo in serbo da lungo tempo. Nasce cos? questa registrazione, nella quale abbiamo scelto di interpretare 16 composizioni per duo tra le 21 fino a oggi conosciute, rivolgendo la nostra attenzione solo alle opere originali e complete.
    J.K. Mertz ? una personalit? di spicco per la chitarra romantica e proprio per questo stupiscono la variet? e la discrepanza di alcune notizie fondamentali riguardanti la sua persona e la sua biografia, a partire dal suo stesso nome. Gi? le iniziali ?J.? e ?K.?, con le quali il compositore firmava le proprie opere, danno origine a numerosi e differenti interpretazioni: spesso troviamo Johann Kaspar, ma compaiono anche Johann Kasper, Jan Kaspar, Caspar Joseph, Joseph Kaspar, J?nos G?sp?r ecc. Noi abbiamo scelto di riportare le due iniziali cos? come sono da lui apposte alle proprie composizioni. 
    Anche la nazionalit? di Mertz varia dall?una all?altra fonte: chi lo ritiene austriaco, chi ungherese, chi slovacco o tedesco; certo ? che nacque nel 1806 a Pressburg (oggi Bratislava, Slovacchia), citt? che a quel tempo faceva parte del regno ungherese. 
    All?epoca l?Ungheria era un Paese multiculturale, che accoglieva popolazioni di diverse etnie: in particolare Pressburg ? citt? di confine, a 65 chilometri da Vienna ? era abitata per il 75 per cento da una popolazione di etnia tedesca e nel centro della citt?, dove viveva la famiglia del compositore, tale percentuale saliva addirittura al 100 per cento.
    Nel 1840 Mertz si trasferisce a Vienna, deciso a imprimere una svolta alla propria carriera. Qui ottiene il successo desiderato e inaugura una serie di tourn?e che lo portano in Prussia, Boemia, Moravia e Russia. 
    Nel 1842 si trova a Dresda e incontra Josephine Plantin, pianista concertista. I due si sposano a Praga nello stesso anno e proseguono la loro attivit? concertistica anche insieme. Negli anni successivi la loro vita ? segnata dagli alti e bassi dovuti al periodo storico travagliato e alla salute malferma del compositore. Nel 1846 ? diagnosticata a Mertz una neuralgia e gli ? prescritta una cura a base di stricnina. La moglie non ha familiarit? con questo medicinale e gliene somministra una dose eccessiva che quasi lo uccide. Mertz si salva ma la convalescenza che ne segue ? lunga e la sua salute ? compromessa al punto che sar? costretto in diverse occasioni a soggiorni di cura.
    Nel 1848 Mertz riesce a riprendere la propria attivit? di concertista e insegnante, ma questa volta sono i rivolgimenti politici ad assestare un altro duro colpo alla sua carriera. J.K. Mertz prosegue comunque la propria attivit? fino al 1856, anno in cui muore a Vienna.

    Ferndinand Rebay Oboe and Guitar, Sanchez, Pilar- Noque

    La major discografica Naxos ha recentemente pubblicato un CD che raccoglie le opere per oboe e chitarra di Ferdinand Rebay
     
    Tracklist completa:
    Oboe Sonata in E minor
    Sanchez, Maria Pilar, oboe
    Noque, Gonzalo, guitar
    1. I. Lebhaft bewegt, doch nicht zu schnell 00:08:21
    2. II. Menuett - Trio 00:04:12
    3. III. Sehr ruhig, doch nicht schleppend 00:03:44
    4. IV. Rondo: Frisch bewegt 00:07:07
     
    Oboe Sonata in C major
    Sanchez, Maria Pilar, oboe
    Noque, Gonzalo, guitar
    5. I. Allegro moderato 00:09:07
    6. II. Langsam und ausdrucksvoll 00:04:00
    7. III. Scherzo: Presto - Trio 00:03:22
    8. IV. Finale: Rondo: Allegretto grazioso 00:06:22
     
    Bach, Johann Sebastian
    Rebay, Ferdinand, arranger(s)
    [show Details] Concerto in the Italian Style in F major, BWV 971, "Italian Concerto": II. Andante (arr. F. Rebay for oboe and guitar)
    Sanchez, Maria Pilar, oboe
    Noque, Gonzalo, guitar
    9. Concerto in the Italian Style in F major, BWV 971, "Italian Concerto": II. Andante (arr. F. Rebay for oboe and guitar) 00:06:07
     
    Dal sito dell'editore:
    After his death in 1953, the figure of Austrian composer Ferdinand Rebay faded into obscurity, his name associated only with the numerous piano reductions he produced for the publisher Schott. This only changed in recent years when Johann Gaitzsch, his interest in Rebay piqued after guitarist and publisher Simon Wynberg introduced him to the Sonata in E minor for oboe and guitar, published two articles¹ which shed new light on a prolific and talented composer, whose music for and with guitar occupies a unique and outstanding place in that instrument’s repertoire, in terms of both quality and quantity. (Most of the biographical information in these notes is drawn from Gaitzsch’s articles.)
    Born in Vienna on 11 June 1880, Rebay studied both the violin and the piano (the latter with his mother, Therese Rebay, who had herself been taught by Anton Bruckner). His father, another Ferdinand Rebay, owned a music shop and was also a partner in the publishing firm Rebay & Robitschek. In 1890, at the age of ten, the young Ferdinand became a chorister at Heiligenkreuz Abbey, where over the next five years he received a thorough musical education and became a solo alto. By the time he joined Joseph Hofmann’s piano class at the Vienna Conservatory (today’s Universität für Musik und darstellende Kunst) in 1901, Rebay had already begun to make a name for himself as a composer of Lieder and choral works. He went on to study composition at the Conservatory with Robert Fuchs (1847–1927), one of the few composers praised by Brahms and who also counted Mahler, Sibelius, Richard Strauss and Korngold among his star pupils. During this period of study with Fuchs, Rebay was awarded a number of prizes, including the Brahms Prize and the Gesellschaft der Musikfreunde’s silver medal.
    In 1904 he concluded his studies in triumph with his final academic work, Erlkönig, for large orchestra, which Fuchs labelled the finest work to have been produced in his 29 years at the Conservatory. In the same year Rebay became chorus master of the Wiener Chorverein. Some years later, in 1915, he took on the same rôle with the Wiener Schubertbund, remaining in the post until 1920 when he was appointed to teach the piano at the Vienna Music Academy.
    Following the Nazi Anschluss of Austria in 1938, Rebay lost his job (he was reinstated in 1945) along with his pension, probably because he was thought to have had Jewish origins. He died in Vienna, on 6 December 1953, penniless and unknown.
    Most of Rebay’s vast production survives in manuscript versions held by the Austrian National Library and the library of Heiligenkreuz Abbey. Though he also wrote choral works, symphonies, an operetta, works for piano and piano four hands, and chamber works for various combinations of instruments, it is noteworthy just how many pieces he wrote for the guitar, probably encouraged by his niece, the guitarist Gertha Hammerschmied (1906–85). There are works for solo guitar (including seven sonatas), Lieder and choral works with guitar, and chamber works for two to seven players featuring the instrument. All in all, a veritable treasure trove which has lain undiscovered for years and is only now being brought back into the public domain, thanks to the efforts of Philomele Editions.
    Rebay’s style would definitely be classed as conservative, bearing in mind the musical revolutions that took place in the first half of the twentieth century. Brahms’s influence is very clear and, employing Classical and even Baroque forms such as the suite, his compositions frequently incorporate elements borrowed from German and Austrian folklore, with occasional touches of Impressionism as well. His guitar music, with its Brahmsian roots (virtually unique in the repertoire) combined with a sophisticated compositional technique, has therefore forged its own highly significant place in the history of the instrument.
    The works included here constitute Rebay’s entire output for the unusual instrumental combination of oboe and guitar. In addition to their intrinsic high quality, they are particularly notable for their quasi-pianistic treatment of the guitar, taking it far beyond its more usual function as an accompanist. As a result, these pieces are full of dialogue and enlivened by an admirable variety of textures.
    The E minor Sonata, composed in 1925 and dedicated to Alexander Wunderer, then principal oboist with the Vienna Philharmonic, was first performed on 31 March of the same year in Vienna by its dedicatee and guitarist Hans Schlagradl. Cast in the traditional four movements, it opens with a movement in sonata form (Lebhaft bewegt, doch nicht zu schnell) and of profoundly Germanic character, containing a delightful second subject and a concise development section defined by tonal instability. This is followed by a traditional Menuet and Trio, with some remarkably virtuosic writing for the guitar, full of complex passages in thirds and sixths. The slow movement, headed Sehr ruhig, doch nicht schleppend, is an emotional, cantabile piece in B minor, with a central section whose immobility emphasises the moving lyricism of the recapitulation that brings the movement to a close. The sonata ends with a Rondo in E major. A strong contrast to its martial symbolism (reminiscent of that of Wagner’s Ride of the Valkyries) is provided by a short central section in A flat in which folk-inspired elements prevail.
    There is a long gap between the E minor Sonata and the Sonata in C major (dated 17 January 1942), and the latter work consequently reflects a more open attitude towards other musical styles on the part of the composer. This sonata includes a number of Impressionistic elements, for example, which bring it a certain contemplative and nostalgic air, as can be heard in the opening movement, an Allegro moderato whose lyrical nature is very different from the martial tone that introduces its counterpart in the E minor Sonata. The slow movement, Langsam und ausdrucksvoll, is placed second here; a delicate piece with a Mediterranean feel, it recalls at times the writing of the Italian composer Mario Castelnuovo-Tedesco, while its central section is pure Brahms. The following Scherzo brings a return to the Germanic features of the earlier sonata, with some brilliant imitative play between the two instruments leading to a trio which, if not explicitly indicated so, nevertheless takes us into the world of the Ländler. To end, Rebay brings us back to the thoughtful nature of the first movement by means of a Rondo whose frequent changes of tempo and character, as well as its unexpected modulations, give it a fragmented aspect not often found in finales.
    The recording ends with an arrangement for oboe and guitar of the slow movement from Bach’s Italian Concerto. In this insightful adaptation, the pairing call to mind the quintessentially Baroque sonorites of sonatas for oboe and continuo.
    -Gonzalo Noqué
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