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  1. La prima registrazione assoluta di Sardegna - Suite per Chitarra Sola, composizione di cui sono il dedicatario scritta nel 2020 da Angelo Gilardino (1941-2022) per la manifestazione internazionale Sardinia_Moving_Arts organizzata da @Musicare con il finanziamento della Comunità Europea e della Regione Autonoma della Sardegna. La suite si articola in cinque movimenti: I. Mari II. Nuraghe III. S'Ardia IV. Su soli est calau V. Ciamma In Mari (Mare) attraverso una articolata tessitura l’autore dipinge un paesaggio arioso, attraversato da sprazzi di luce che si stagliano con vigore e forza su un moto incessante. L’evocazione del quieto sciabordio della risacca è evocato nella sezione più lenta, riflessiva, nella quale una semplice melodia galleggia appena su un fondo oscuro. La barbarica danza la cui severa scansione ritmica riporta alla mente riti perduti è il cuore pulsante del secondo movimento, Nuraghe, avvolto da una ancestrale melodia con forte carattere di leyenda. In S’Ardia l’autore mette alla frusta le capacità esecutive dell’interprete che alla sfavillante sezione iniziale deve far fronte ad una sezione centrale che scandaglia la tastiera dello strumento in lungo e in largo con parti accordali e repentini cambi di registro. Nella berceuse Su soli est calau (Il sole è calato) la delicatissima tessitura polifonica e poliritmica ha lo scopo di riportare alla mente di chi ascolta l’atmosfera rarefatta di un tramonto filtrato da una impalpabile foschia. Ciamma (Fiamma) è un infuocato ritratto del libero e imperscrutabile avvilupparsi delle fiamme attorno al quale dei lontani tamburi riportano in vita passi e balli silenti, perduti nella memoria. >> La composizione è pubblicata da Les Productions d'OZ. >> La registrazione è parte del cofanetto Portrait of Sardinia distribuito da Brilliant Classics.
  2. Sono felice di annunciare che la casa discografica Brilliant Classics distribuirà "Homage to Angelo Gilardino - A life for music", un nuovo doppio CD che conterrà una selezione di lavori a cui sono più affezionato e che ho studiato, eseguito e registrato in questi ultimi quindici anni di attività discografica. Si tratta di un mio personale omaggio al compositore asigliano-vercellese e insieme alla Stagione Concertistica di Musicare prevista per i mesi autunnali di questo 2021, vuole essere il mio regalo di ottantesimo compleanno all'autore che mi ha ispirato nella ricerca sul repertorio che oggi conduco e mi porta a scoprire continuamente quanto ancora ci sia da imparare. I dettagli sono disponibili qui.
  3. La prima registrazione degli otto "Alebrijes de la Ciudad de México" di Eduardo Garrido contenuta nel primo volume della trilogia Easy Studies for Guitar, una collana di pubblicazioni discografiche interamente dedicata a composizioni di autori del Novecento e contemporanei con scopi prettamente formativi e didattici. La musica è disponibile pubblicata dalle Edizioni Bérben/Curci. Link:
  4. Musicare è lieta di presentare la nuova collana di CD Musicare Artists Selection, dedicata al repertorio originale per chitarra del XX e del XXI secolo. Il progetto, realizzato in collaborazione con la major discografica internazionale Brilliant Classics, i Clab Studios di Foggia ed il Forum Italiano di Chitarra Classica mira alla valorizzazione del repertorio di qualità e alla promozione di composizioni registrate per la prima volta. A partire dal 2019, Musicare finanzierà annualmente la registrazione e la produzione di una release discografica che sarà distribuita in oltre quaranta paesi dalla casa discografica Brilliant Classics. Informazioni e dettagli sul sito di Musicare.
  5. 11 downloads

    Il primo movimento della Sonata for Guitar del compositore russo Edison Denisov (1929-1996). La composizione è parte della tracklist del cofanetto Russian Guitar Music of the 20th and 21st centuries distribuito da Brilliant Classics. Qui un articolo del chitarrista russo Oleg Timofeyev sulla Sonata di Denisov:
  6. Procedono in modo estremamente soddisfacente le (gelide) sessioni di registrazione per il nuovo cofanetto dedicato alla musica originale per chitarra intitolato "Novecento Guitar Sonatinas", il terzo passo della serie di pubblicazioni Novecento Guitar, dopo Preludes e Sonatas (distribuiti da Brilliant Classics rispettivamente nel 2012 e nel 2014). La tracklist di Novecento Guitar Sonatinas è stata già definita e oggi, agli sgoccioli del 2017, ecco un'anteprima dal cofanetto, i tre primi movimenti delle Sonatine di @MarkDelpriora (1959), Albert Harris (1916 – 2005) e @Franco Cavallone (1957). Buon ascolto.
  7. L'etichetta discografica Brilliant Classics pubblica il cofanetto di 14 CD dedicato alla musica per chitarra sola scritta dal compositore piemontese Angelo Gilardino dal 1965 al 2013. Periodo di registrazione: June 13, 2012 – March 30, 2015 Sede: Chiesa della Solitudine (NU) Chitarra: Giuseppe Guagliardo La tracklist: Acquisto su Amazon: https://www.amazon.it/Gilardino-Complete-Music-Guitar-1965-2013/dp/B0106UFKW6/ Acquisto su iTunes: https://itunes.apple.com/album/id1018180698 Anteprime su SoundCloud Maggiori informazioni: http://www.brilliantclassics.com/articles/g/gilardino-complete-music-for-solo-guitar-1965-2013/ Leggi la scheda di questo/a novità discografica
  8. Il Box Set "The Andrés Segovia Archive: Complete Guitar Music" distribuito dall'etichetta discografica Brilliant Classics contiene la registrazione a cura del chitarrista italiano @Ermanno Brignolo dell'intera omonima collana pubblicata dalle Edizioni Bérben di Ancona. Il contenuto è il seguente: La tracklist dettagliata può essere visionata da questo link. Dal sito dell'editore: Andrés Segovia, born in 1893 in Linares, Spain, was one of the most important musicians of the 20th century; a virtuoso guitarist whose contribution to modern-Romantic repertoire included both commissions and transcriptions of baroque/classical works. Until recently, a significant portion of his music library remained either unknown or consigned to the depths of history: only in 2001, when the Italian composer, guitarist and scholar Angelo Gilardino was given permission to open the crates containing the maestro’s personal collection of music, did the true extent of his vast repertoire come to light. The collection The Andrés Segovia Archive was thus created with the aim of making available to all the works written for Segovia which remained unpublished (and in some cases never performed) during his lifetime, and here it is played by esteemed Italian guitarist Ermanno Brignolo – himself the dedicatee of numerous works by composers such as Ronca and Porqueddu. From Fenerod Peyrot’s Thème et variations to Arregui’s Piezas líricas, the compilation touches on a number of countries, revealing Segovia’s immense international stature at that time. Brignolo presents an engaging tribute to a precious heritage, one whose range of styles has only served to further enrich 20th-century guitar music. Qui la traccia Passacaille di Alexandre Tansman, etratta dallo stesso Box Set: Maggiori informazioni: https://www.amazon.com/dp/B00DMNMIZC/_encoding=UTF8?ref=exp_inf_pl_cristianoporqueddu Leggi la scheda di questo/a novità discografica
  9. Seguendo le istruzioni questa è la mia prima segnalazione di un cd per chitarra... spero di aver fatto le cose giuste!! Questo triplo-cd contiene la registrazione di tutti gli studi di Fernando Sor. Il chitarrista è Enea Leone. L'etichetta è Brilliant. Il cd è stato pubblicato nel 2014. I brani registrati sono elencati qui: http://www.brilliantclassics.com/articles/s/sor-complete-studies-for-guitar/ Maggiori informazioni: http://www.brilliantclassics.com/articles/s/sor-complete-studies-for-guitar/ Leggi la scheda di questo/a novità discografica
  10. Brilliant Classics pubblica una nuova release dedicata al repertorio per chitarra. Si tratta di Radamés Gnattali - Concertinos for Guitar and Orchestra La tracklist include: Concertino No. 1 for guitar and orchestra (1951) Concertino No. 2 for guitar and orchestra (1952) Concertino No. 3 Concerto da Copacabana for guitar, flute, timpani and string orchestra (1956) Concerto No. 4 Concerto a Brasileira for guitar and strings (1967) Qui nel dettaglio: La recensione su MusicWeb International è raggiungibile da questo link. Maggiori informazioni: https://www.amazon.co.uk/Gnattali-4-Concertinos-Guitar-Orchestra/dp/B06XY626DT/ Leggi la scheda di questo/a novità discografica
  11. Brilliant Classics pubblica un nuovo cofanetto di CD dedicato alla musica originale per chitarra del XX e XXI secolo. Si tratta di Russian Guitar Music of the 20th ans 21st centuries, un CD set composto da quattro volumi che contengono tre ore di musica per chitarra di autori russi e sovietici contemporanei e del secolo passato. Più nel dettaglio, la tracklist è composta dalle seguenti musiche: Boris Vladimirovič Asafiev (1884-1949) 01. Etude No.1 02. Etude No.2 03. Prelude et Valse: I - Prelude 04. Prelude et Valse: II - Valse "12 Preludes for Guitar" 05. Prelude I 06. Prelude II 07. Prelude III 08. Prelude IV 09. Prelude V 10. Prelude VI 11. Prelude VII 12. Prelude VIII 13. Prelude IX 14. Prelude X 15. Prelude XI 16. Prelude XII "Six romances in old style" 17. I - Andante 18. II - In memory of Varlamov 19. III - Adagio 20. IV - Andante 21. V - Tempo di Valzer, Mosso 22. VI - Epilogue 23. Theme with variations after Tchaikovsky Victor Kozlov (1958) 01. Dedication to the Russian land Valeri Kikta (1941) "Sonata for Guitar" 02. I - Moderato, intimo 03. II - Allegro, drammatico Aleksandr Ivanov-Kramskoi (1912-1973) 04. Prelude in D minor 05. Prelude in E minor Sofia Gubaidulina (1931) 06. Serenade 07. Toccata Elena Poplyanova (1961) "Sonata for Guitar" 08. I - Moderato 09. II - Andantino 10. III - Presto Edison Denisov (1929-1996) "Sonata for guitar" 01. I - Toccata 02. II - Berceuse 03. III - Souvenir d'Espagne Vitaly Kharisov (1962) "Four preludes for guitar" 04. Prelude I 05. Prelude II 06. Prelude III 07. Prelude IV "Sonatine" 08. I - Andante rubato 09. II - Allegretto Gherman Dzhaparidze (1939) "Two visions in white (in a cold winter morning)" 10. I - Andante 11. II - Rhytmically free Sergei Rudnev (1955) 12. The old lime tree Evgeny Baev (1952) "Five Stichera for Guitar" 01. Sticheron I 02. Sticheron II 03. Sticheron III 04. Sticheron IV 05. Sticheron V 06. Sonata I "Sonata II" 07. I - Allegro 08. II - Lento 09. III - Alla marcia "Sonata III" 10. I - Agitato 11. II - Andante 12. III - Maestoso Acquisto online su Amazon: https://www.amazon.it/Russian-Guitar-Music-Musica-Russa/dp/B06W2P495T/ Anteprima Elena Poplyanova, Sonata for Guitar - Mov.I Maggiori informazioni: http://www.brilliantclassics.com/articles/r/russian-guitar-music-of-the-20th-and-21st-centuries/ Leggi la scheda di questo/a novità discografica
  12. L'etichetta discografica Brilliant Classics pubblica il CD Easy Studies for Guitar Vol.1 Easy Studies for Guitar è una trilogia di release discografiche dedicata a composizioni di autori del XX e del XXI secolo con scopi prettamente didattici. La distribuzione dell'opera prevede: Easy Studies for Guitar Vol.1 (2016) (Garrido, Koshkin, Smith-Brindle, Tansman) Easy Studies for Guitar Vol.2 (2017) (Tansman, Dodgson, Cavallone, Patachich, Ponce) Easy Studies for Guitar Vol.3 (2019) (Cavallone, Bellomo, Jean Absil, Anton Stingl, Chassain, Patachich, Biberian) In questo primo volume sono contenuti 54 studi per chitarra di Eduardo Garrido (1975), Nikita Koshkin (1956), Reginald Smith-Brindle (1917-2003), e Alexandre Tansman (1897-1986) Una delle recensioni: http://www.cristianoporqueddu.com/8019-recensione-su-guitart-per-easy-studies-for-guitar-vol-1/ Dal sito dell'editore: “The growing library of guitar music on Brilliant Classics already encompasses several albums of etudes and miniatures written for students and amateur players. From rare to well-known, there are the studies of Gangi (BC95204), Tansman (BC95221), Castelnuovo-Tedesco (BC95219) and Gilardino (BC9285), among many others. The Gilardino album features the artistry of guitarist and composer Cristiano Porqueddu, who has made several other well-received albums for Brilliant Classics, including collections of rarely encountered composers in ‘Novecento Guitar Preludes’ (BC9292) and ‘Novecento Guitar Sonatas’ (BC9455), both of which include many first recordings. Reviewing the set of Preludes, MusicWeb International praised the ‘coruscating variety, fine recorded sound and lovingly shaped playing… Porqueddu’s playing is miraculously clean and there’s very little fret noise.’ Porqueddu’s appetite for the unusual and sense of adventure is further confirmed by a new set of ‘Easy Studies for Guitar’, containing music that is as satisfying to listen to as it is relatively unchallenging to master for the intermediate-to-advanced student guitarist. Only Tansman has a currency outside guitarists, but the other three, more contemporary figures speak with powerfully individual voices. The Russian composer-guitarist Nikita Koshkin may be a particularly welcome discovery for non-initiates: born in 1956, he counts the music of Shostakovich and Prokofiev as important early influences, but his own music lies within the Spanish guitar tradition, while employing more modern harmonies and building to climaxes of unexpected tension and drama. Born in Granada in 1975, Eduardo Garrido now teaches and composes in Mexico, and in his studies can also be heard a non-native wildness and urgency, for all that they are sympathetically composed with intermediate students in mind. Master guitarist Cristiano Porqueddu embarks on a praiseworthy and ambitious recording project: Easy Studies for Guitar, works written by famous or less well known composers with the special aim to educate, challenge, develop and entertain the aspiring guitar student. The works focus on certain technical issues disguised as it were in the musical content and its emotions. The first CD contains works by Eduardo Garrido, Nikita Koshkin, Alexandre Tansman and Reginald Smith-Brindle. Cristiano Porqueddu, who already recorded more than 40 CD’s, all of them to great critical acclaim, takes his task seriously, always finding the right atmosphere and character of these delightful musical gems, aided by his immaculate technique. Excellent liner notes written by the artist.” INFO: http://www.brilliantclassics.com/articles/e/easy-studies-for-guitar-volume-1/ La tracklist completa: Eduardo Garrido (1975): “Alebrijes de la ciudad de México – 8 estudios breves para guitarra” Nikita Koshkin (1956): “Da Capo” 24 Easy Pieces Reginald Smith-Brindle (1917-2003): Ten simple preludes Alexandre Tansman (1897-1986): Douze Pièces Faciles pour Guitar Anteprime sul mio canale SoundCloud: Maggiori informazioni: http://www.cristianoporqueddu.com/discography/easy-studies-for-guitar-vol-1/ Leggi la scheda di questo/a novità discografica
  13. Il chitarrista spagnolo Javier Somoza pubblica con Brilliant Classics il suo nuovo CD dal titolo A Guitar for Segovia La tracklist: 1. Tres libros de musica en cifras: Pavana by Alonso de Mudarra 2. Tres libros de musica en cifras: Tiento by Alonso de Mudarra 3. Tres libros de musica en cifras: Fantasia que contrahaze la harpa en la manera de Ludovico by Alonso de Mudarra 4. Saldivar Codex no 4: Folias italianas by Santiago de Murcia 5. Saldivar Codex no 4: Folias españolas by Santiago de Murcia 6. Tiento by Maurice Ohana 7. Variazioni attraverso i secoli, Op. 71 by Mario Castelnuovo-Tedesco 8. Pièces brèves (4) for Guitar by Frank Martin Dal sito dell'editore: There are two themes to this recording: the time-honoured genre of the folía, and an instrument made for and played by the greatest guitarist of the 20th century, Andres Segovia. With his determination to expand the repertoire of guitar music and extend the instrument beyond its associations with his native Spain, Segovia commissioned three works played here by Javier Somoza: the Variations à travers les siècles by Mario Castelnuovo-Tedesco, Variaciones y Fuga sobre la Folía de España by Ponce and a set of Four Short Pieces by Frank Martin. Segovia eventually decided that Martin’s idiom was too dissonant for his taste and so never played them, but the pieces have since become classics of the mid-20th-century repertoire alongside works by Britten and Henze. As their titles suggest, however, the other two works have a conscious relationship with the history of the guitar and its repertoire, developed from the lute and vihuela of previous centuries. Ponce only partially fulfilled Segovia’s request for ‘a series of brilliant variations on the Folías de España theme […] in the Classical Italian style of the 18th century.’ What resulted was a monumental, thoroughly eclectic work definitely not in 18th-century style. Segovia, again, decided to adapt the piece for his own ends but Somoza has returned to the original. Meanwhile Castelnuovo-Tedesco, in his first work for the guitar, also consciously embraced eclecticism in a series of different idioms: a stylized chaconne reminiscent of early music; a free variation, a waltz, and a foxtrot. There is one more modern work on the album – the dazzling Tiento by Maurice Ohana that also looks back to 18th-century Spanish idiom – which functions as a pivot between the ages. Two examples of the folía theme-and-variation form by Santiago de Murcia date from roughly 1730; and to open, Somoza travels back in time to the tientos of 16th-century Spain with three brief works by Alonso Mudarra. ‘A Guitar for Segovia’ is both an absorbing journey through the history of guitar music and an important record of a Segovia instrument: a significant addition to the expansive library of guitar music on Brilliant Classics. The concept of this CD is inspired by two sources: the works are based on the harmonic pattern of “La Follia”, a characteristic Spanish Dance, and, secondly, the guitar that belonged to Andrés Segovia and was built in 1924 by the famous luthier Santos Hernández, and donated by the maestro to the Victor Espinos Music Library in Madrid. Segovia is known to have played the instrument extensively, on several world tours. The music on this CD spans 4 centuries, and features works by Alonso Mudarra, Santiago de Murcia, Maurice Ohana, Mario Castelnuovo-Tedesco, Manuel Ponce and Frank Martin, a kaleidoscopic repertoire fully exploring the rich possibilities of this magnificent instrument. Javier Somoza is one of the foremost guitarist of Spain. After winning several international guitar competitions he embarked on a brilliant solo career. Next to that he is Professor at the Real Conservatorio Superior de Musica in Madrid and Honorary member of the Segovia Guitar Academy. Maggiori informazioni: http://www.brilliantclassics.com/articles/a/a-guitar-for-segovia/ Leggi la scheda di questo/a novità discografica
  14. Brilliant Classics pubblica il nuovo CD della chitarrista italiana Cinzia Milani dedicato a Ida Presti e alla sua musica. Interpreti: Cinzia Milani Supporto: CD Audio Numero dischi: 1 Etichetta: Brilliant Classics Data di pubblicazione: 1 settembre 2017 Tracklist Dal sito dell'editore: ‘One of the greatest guitarists of all time,’ remarked John Duarte in his entry on Ida Presti for Grove’s Dictionary of Music and Musicians. Best-known in posterity as one half of the celebrated Presti-Lagoya duo, she is celebrated on this album as a composer and virtuoso in her own right, half a century after her unexpected death in the middle of a US concert tour, at just 43 years of age. In her booklet-note, Cinzia Milani remarks that she has always considered Presti a role-model, not only for her prodigious talent as a guitarist, but as a female musician in a culture and industry still often dominated by male authority. She presents here six studies by Presti herself, a Danse rhythmique and an Etude du matin, and Presti’s tribute to her own hero, Segovia. Just as Presti dedicated the dance to her husband Lagoya, so Milani follows it with two works which he in turn dedicated to her. Then there are various works by composers little known outside guitar circles such as Miguel Ablóniz and indeed Duarte. Through all these works may be traced the joyous personality of Presti herself, summed up by her granddaughter Isabelle in the booklet as ‘elegant nimbleness, luminous musicality and wonderful self-confidence’. She was friends with many of the composers such as Gontran Dessagnes, who wrote his Tendesse for her in 1954. The work by Guy Morançon is a tribute to her memory, composed in the wake of her death. Finally, Milani has written her own tribute, Quattro Mi, in admiration for the extraordinary facility of Presti in holding down the note E (Mi in solfege) on four different strings simultaneously. By its nature, the album is unique in the catalogue, of immediate interest to guitarists and anyone curious about a great artist of the last century. This recording was made on the occasion of the 50th anniversary of the death of Ida Presti, one of the greatest guitarists of the 20th century, a pioneering woman who used her extraordinary talents for the popularization of her instrument and the music written for it. Italian guitarist Cinzia Milano compiled the program for this new recording, consisting of original works by Ida Presti as well as works by other composers which are dedicated to her: Alexandre Lagoya, Miguel Ablóniz, John Duarte, Dimitri Fampas, Gontran Dessagnes and Francis Poulenc. The booklet contains contributions by the artist as well as by Isabelle Presti, the granddaughter of Ida Presti. Maggiori informazioni: http://www.brilliantclassics.com/articles/a/a-tribute-to-ida-presti/ Leggi la scheda di questo/a novità discografica
  15. L'etichetta discografica olandese Brilliant Classics propone al mercato un poderoso CD Set composto da 40 CD dedicati alla chitarra Classica. In allegato il PDF con le singole tracklist dei volumi. Da IBS.it: La più ampia collezione disponibile di brani per chitarra! Questo set di 40 CD abbraccia diversi secoli di musica per chitarra: dal barocco, dove la chitarra ha guadagnato la preferenza rispetto al liuto, al periodo classico, periodo in cui si è gradualmente stabilizzata come strumento da concerto. Nel suo paese d'origine, la Spagna, molti compositori del XX secolo hanno esteso la gamma delle sue possibilità sonore dedicandole anche nuove forme compositive. Le registrazioni presentano i migliori chitarristi di fama internazionale, rendendo la collezione un prezioso strumento sia per gli esperti che per gli amatori del repertorio. Dal sito dell'editore: Guitar lovers are lucky enough to have their pick of repertoire, spanning the entire globe as well as many centuries. Never before, however, have they been able to listen to their favourite pieces all in one place – from Baroque to 20th Century, from Latin America to north Germany. This ambitious and expansive set of 40 CDs brings together a wide range of works for solo guitar guaranteed to satisfy those eager to explore repertoire both known and unknown. We start our journey with Robert de Visée, born around 30 years before J.S. Bach. His Suites – which may also have been played on a lute or theorbo – are fascinating examples of some of the only existing French Baroque music for guitar. Bach himself did not write as much music for the stringed instrument as he did for keyboard; however, the transcriptions of his violin Partitas work perfectly on the guitar. Likewise, Sonatas by Domenico Scarlatti have been transcribed here from the keyboard for the guitar. The Italian composer worked in Spain for the majority of his life, and the Spanish influences he picked up there make a smooth transition to the stringed instrument. The Classical and Romantic eras saw a period of development. Fernando Sor, one of the most important figures in guitar music, elevated the guitar from a 'tavern' instrument to one that commanded respect. He himself contributed a vast amount to the guitar canon – such as his Études – alongside the Italians Ferdinando Carulli and Luigi Rinaldo Legnani and Sor's pupil, Napoléon Coste, who became the leading guitarist in his native France. Sor's 20th-century successor is arguably Francisco Tárrega, considered the father of the guitar. His technical innovations helped to raise the profile of the guitar as a solo instrument, as he successfully persuaded Antonio de Torres Jurado to construct a large instrument suitable for use in concert halls. The Spaniards dominated this period – alongside Tárrega were Isaac Albéniz (who never actually wrote specifically for the guitar, but whose music has been arranged a number of times), Joaquín Turina, Joaquín Rodrigo and Manuel de Falla. Rodrigo's homage to Falla – the Invocación y danza – shows the composer's recognition of Falla as one of the greatest influences on Spanish composers working in the latter half of the 20th century. Next, we travel across the Atlantic to investigate one of the most important locations for the creation of guitar music: Latin America. Composers working here took particular inspiration from indigenous influences, including the Paraguyan Agustín Barrios Mangoré and the Argentinian Ástor Piazzolla. Manuel Ponce, a leading Mexican composer, wrote his famous Estrellita, which soon became a beloved Mexican folk song. It is present here in a sparkling arrangement for solo guitar. The 20th century saw the expansion of the guitar across the globe. The repertoire grew widely, thanks to composers from such diverse places as Russia, Poland and the Netherlands. German composer Hans Werner Henze wrote his original Royal Winter Music, based on Shakespearean characters, in the late 1970s. Jewish composer Mario Castelnuovo-Tedesco, born in Italy, spent much of his career in Hollywood, after fleeing the Nazi threat in Europe in 1939. He still wrote much classical music alongside his works for the big screen, including his well known Les Guitares bien tempérées. Dutch composer Henk Badings was discredited after the war for having cooperated with the Nazis. A recent renewed interest in his music has resulted in this recording of his Twelve Preludes for solo guitar – a world premiere for Brilliant Classics, first released in 2012. This set features performers of international quality. Among them are: the Paganini expert Luigi Attademo; Cristiano Porqueddu, who will be performing in New York's Carnegie Hall in July 2017; Frédéric Zigante; Giulio Tampalini; and many more besides. There are numerous world premiere recordings, of works both modern and older, thanks to recent rediscoveries. The guitars used range from carefully crafted modern instruments to period instruments, including the 'Sabionari' guitar by Antonio Stradivari. The release will be sure to satisfy both guitar aficionados and those looking to dip in and out of a diverse mixture of guitar music from around the globe. The most extensive guitar collection available! This 40 CD set spans several centuries of guitar music: from the Baroque where the guitar gained preference over its ancestor the Lute, to the Classical Period in which the instrument was emancipated and gained its rightful place as a serious concert instrument, through Spain, its country of origin, right into the 20th century where famous composers extended its sonic possibilities to the very borders of the spectrum. A treasure trove of unprecedented scope and substance, for both connoisseur and music lover, performed by world class guitarists! Recorded between 1996 and 2015. Contains liner notes written by Philip Borg-Wheeler specially for this release. The booklet presents the necessary background to the music, putting each composer in his historic perspective. Anthology for Guitar TL.pdf Maggiori informazioni: http://www.brilliantclassics.com/articles/a/anthology-of-classical-guitar-music/ Leggi la scheda di questo/a novità discografica
  16. La nuova registrazione dei 22 Studi per chitarra di Mario Gangi a cura di Andrea Pace. Dal sito dell'editore: This is only the second complete recording of the 22 studies by Mario Gangi (1923-2010), and the first to have international distribution. Gangi wrote them towards the climax of his professional career as one of the most renowned guitarists in postwar Italy. He gave first performances of works by his fellow Italians Ennio Porrino and Goffredo Petrassi, among others, but this album grows from his lasting work as a teacher at the conservatories of Rome and Naples. Ricordi published his three-volume method which gathers up the fruits of decades of experience as a performer and teacher. The last part is dedicated to this set of 22 studies. Gangi devoted special attention to techniques pertaining to the left hand: fixed and barre chords, polyphony, scales and legato. In addition he developed exercises for perfecting advanced arpeggios, repeated notes and melodic thumb position. However, even the most casual attention paid to the album, and to Enrico Pace’s sensitive performance, will reveal to the listener that these studies are so much more than technical exercises, but fine, free-standing pieces in their own right. Admitting the influence of jazz and the Latin-American world of Astor Piazzolla and Villa-Lobos, they are unfailingly tuneful, readily capturing a mood whether snappy (the Seventh in particular) or often surprisingly rhapsodic: in this regard the first study sets the tone for the set as a whole. ‘Small masterpieces,’ Pace calls them in his booklet note, ‘small works of art in their own right, pieces that can hold their own in concert halls’; they will find an appeal way beyond the specialised guitar market. Mario Gangi (1923-2010) was one of the most important protagonists of the guitar in 20th century Italy. A performer of world rank he also did extensive scholarly work to promote the publication and performances of contemporary guitar works. The 22 Studies by Gangi deal with every technical aspect of the guitar technique: scales, arpeggios, repeated notes, polyphony, melodic use of the thumb. But far from being dry exercises they reveal a warm musical personality, which imbued the 20th century influences of Jazz, Latin-America, and the European guitar tradition. Played with consummate skill and feeling by master guitarist Andrea Pace, who already recorded successfully for Brilliant Classics works by Mario Castelnuovo-Tedesco (BC94833). Maggiori informazioni: http://www.brilliantclassics.com/articles/g/gangi-22-studies-for-guitar/ Guarda l'articolo nell'archivio delle Novità Discografiche
  17. Brilliant Classics pubblica un nuovo CD dedicato alla musica del XIX secolo per chitarra: 19th century guitar music. L'interprete è il chitarrista italiano Luigi Attademo. La tracklist è la seguente: A guitar compilation out of the ordinary: full of Mediterranean fire and foot-tapping rhythms, but in the context of a historically informed journey through the cultural landscape of the guitar’s spiritual home in the 19th century, and played on original instruments of the time by a musician who has thoroughly researched the technique and technical developments necessary for performances fully within the idiom. There is even a first recording, most unusually for this often-heard repertoire: the Sonatina by Giuseppe Anelli, a guitarist and composer from Turin who probably published these pieces in 1809. The best-known names on this album are Mauro Giuliani and his rival Fernando Sor, both being famed through the capitals of Europe as virtuoso guitarists in the first decades of the 19th century. Giuliani’s Capricci Op.20 are a synthesis of his musical style, full of virtuoso passages and feature a delightful melodic vein that clearly derives from the bel canto tradition. Meanwhile the Fantasia Op.21 and the Variations Op.9 arefine examples of Sor’s style, with their implicit references to Mozart and Haydn as sources of inspiration. Less familiar to us now is Dionisio Aguado, who was in Paris during the 1830s. His renown as a composer is less widespread than that of Sor, perhaps because he spent much of his life writing a teaching method (published in 1849) that embodies not only a synthesis of his technical vision of the instrument, but also an aesthetics of sound and an approach to interpretation that are distinctly modern in concept. The guitar’s technological innovations are more evident in the music of Napoléon Coste, a student of Sor who devised a seven-stringed guitar that responded to the need for greater timbral and harmonic variety, offering extended richness in the lower register. Le Tournoi, a ‘Fantasie chevaleresque’, was conceived for this type of instrument, and derives directly from the programmatic music typical of the romantic symphonic repertoire. It is no coincidence that the piece was dedicated to Hector Berlioz. In the beginning of the 19th century the guitar gained a widespread popularity. The technical developments of the instrument led composers to take it seriously and compositions began to appear regularly. This CD offers a survey of the most important guitar composers of the 19th century: Mauro Giuliani, Napoleon Coste, Giuseppe Anelli, Luigi Legnani and Fernando Sor: music of classical Viennese background, spiced up by the colouristic possibilities of the instrument, charming, witty and pleasing to the salon audiences. Maggiori informazioni: http://www.brilliantclassics.com/articles/other/19th-century-guitar-music/ Guarda l'articolo nell'archivio delle Novità Discografiche
  18. Brilliant Classics pubblica il CD dedicato alla musica per chitarra sola di Hans Werner Henze (1926 - 2012). Interprete il chitarrista italiano Andrea Dieci. Numero di dischi: 1 Formato: CD, Classica Etichetta: Brilliant Classics ASIN: B01CTMJOC6 La tracklist: Dal sito dell'editore: Henze may have been renowned as one of the most prodigious postwar German modernists, but the important position of the guitar in his output reveals the lyric and rhapsodic side to his nature which runs as an undercurrent throughout his music, flowering most fully in the genre of opera to which he was drawn time and again. His first major work for the instrument is a set of three Tentos – or tientos, the Spanish form of the fantasia or ricercar to be found in English and Italian music of the 15th century onwards – extracted from a collection of chamber music for various combinations. ‘They feature in the repertory of virtually every professional guitarist who considers himself worthy of the name,’ as the composer modestly remarked – but with justice, for their brevity is matched by their songful imagination. The two sonatas are much more ambitious in scale, both inspired by the Shakespearean literature which Henze loved so much, and also by the artistry of Julian Bream, who may be counted a Segovia of the latter half of the last century, thanks to the array of composers who realised through his playing the expressive possibilities of an instrument they might otherwise have regarded as having strictly local or picturesque appeal. Characters are portrayed such as the ridiculous Sir Andrew Aguecheek, but also narratives told, such as Gloucester’s relationship to King Lear. The Italian guitar magazine Seicorde has described Dieci as a ‘fine performer with an enviable technique’. His first recording on Brilliant Classics was of the contemporary guitarist-composer Nicola Jappelli (BC9435); according to Seicorde, ‘the skillful balance of dynamics often extreme and sudden, the adoption of an extremely expressive phrasing and varied even in minimalist areas, meticulous articulation of ethereal melodies broken between items: these are just some of the qualities that deserve recognition in the work of Dieci.’ Dieci’s second album comprised popular guitar works by the Argentinian master of the classical tango, Astor Piazzolla, with a selection of music for violin and guitar capturing the spirit of the era, ‘Café 1930’ (BC94896). This, too, was issued to a very positive reception. Hans Werner Henze was one of the most important composers of the 2nd half of the 20th century, and certainly one of the most prolific. He often wrote for the guitar, exploring the evocative potential of the instrument so that it could express a wide range of different emotions and atmospheres. This CD presents the two Sonatas on Shakespearean Characters, an important cycle portraying characters like Lady Macbeth, Romeo & Juliet and Ariel, finding a new dramatic expression in these personifications of timeless human values. Italian guitarist Andrea Dieci, a winner of several international competitions, is called “A true star of the classical guitar” (Corriere della sera) and “an impressive guitarist” (New York Times Herald). He recorded for Brilliant Classics the complete works by Jappelli (BC9435) and guitar works by Piazzolla (BC 94896). Excellent liner notes by a musicologist, in both English and Italian. Maggiori informazioni: https://www.amazon.com/dp/B01CTMJOC6/_encoding=UTF8?ref=exp_inf_pl_cristianoporqueddu Leggi la scheda di questo/a novità discografica
  19. Nuova release della casa discografica Brilliant Classics dedicata al repertorio originale per chitarra del Novecento. Si tratta del CD singolo dedicato alla musica di Henri Sauguet (1901 - 1989) Alfonso Baschiera, chitarra Federica Lotti, flauto Nicola Boscaro, violoncello Henri Sauguet composed for many solo instruments, but writing for the guitar was where his passion lay, describing the instrument as ‘very noble’ and ‘one of the great instruments that belong to all ages’. An eclectic, prolific and original composer, Sauguet’s great gift lay in his ability to construct with just a few notes sound sketches that transcend genres, taking inspiration from a wide pool of trends. Sauguet began composing music for the guitar in 1958 with Soliloque, a vibrant, emotionally charged piece in which tonality and modality intermingle with chromaticism, and continued with the elegant harmonic solutions of Trois Préludes in 1970 and the subtle and expressive neo-modality of Musiques pour Claudel in 1973. These two suites, written to celebrate the French writer Paul Claudel, were followed by Six Pièces faciles in 1975, which was more frivolous in nature but nevertheless evocative, with memorable melodic themes. The crowning note in his guitar music writing career came with Révérence à Johann Sebastian Bach, written in 1985 to celebrate the 300th anniversary of the great German composer’s birth, and Cadence, his final piece for the solo guitar written at the age of 84 and published posthumously in 1990, containing two distinct sections that intertwine, the first part mechanical and regular, the second contemplative and lyrical. Sauguet was a favourite pupil of Erik Satie and Charles Koechlin. Later he became closely related to the famous Groupe des Six, the composers around Poulenc, Auric and Milhaud. His fame spread, and he was commissioned to write ballets for Diaghilev’s Les Ballets Russes and Ida Rubinstein. Sauguet’s style is a reflection of the pluriform development of 20-th century music: impressionism, expressionism, Darmstadt School, all had their influence on him. His “native’ language however is one of expressive lyricism, and that warmth of feeling shines through all his works. This new recording presents Sauguet’s complete output for guitar: small scale works written in cycles, miniatures of great beauty, originality and strong contrasting feelings. La tracklist: Sauguet-Complete-Music-For-Solo-Guitar-2 Info sul sito di Brilliant Classics > http://goo.gl/EIdn5n Guarda l'articolo nell'archivio delle Novità Discografiche
  20. Francisco Tárrega Guitar Edition, Giulio Tampalini © 2015 Brilliant Classics CD 1-2 Opere originali CD 3-4 Trascrizioni Tracklis: Compact Disc 1 1 Capricho árabe 4’36 2 La alborada 1’49 3 Marieta (Mazurka) 1’54 4 Pavana 1’43 5 María 1’17 6 Isabel (Waltz) 1’14 7 La Cartagenera 4’45 8 ¡Adelita! (Mazurka) 1’29 9 Rosita (Polka) 1’45 10 El columpio 2’19 11 Danza mora 1’57 12 Gran vals 2’35 13 Malagueña fácil 2’45 14 Recuerdos de la Alhambra 5’28 15 Mazurka in G 2’28 16 Las dos hermanas (Waltz) 3’31 17 Minueto 1’25 18 Paquito (Waltz) 1’56 19 Pepita (Polka) 1’17 20 Danza odalisca 2’38 21 Sueño (Mazurka) 1’26 22 Vals in D 2’00 23 Variaciones sobre El Carnaval de Venecia de Paganini 8’04 Compact Disc 2 1 Prelude No.1 in D minor 1’10 2 Prelude No.2 in A minor 1’28 3 Prelude No.3 in G 0’38 4 Prelude No.4 in E 0’45 5 Prelude No.5 in E 1’18 6 Prelude No.6 in B minor 0’53 7 Prelude No.7 in A 0’44 8 Prelude No.8 in A 0’21 9 Prelude No.9 in A 0’21 10 Prelude No.10 in D 0’18 11 Prelude in D 0’26 12 Prelude in A minor 0’25 13 Prelude in D 0’36 14 Lágrima 1’30 15 Prelude in G 0’41 16 Prelude in C 0’40 17 Endecha 0’50 18 Oremus (transcription of Robert Schumann’s Phantasietanz Op.124 No.5) 0’55 19 Prelude in A minor 0’22 20 Prelude in D 0’28 21 Prelude in A 0’20 22 Estudio en forma de minueto 1’35 23 Estudio sobre un estudio de Cramer 1’23 24 Sueño (Trémolo) 6’22 25 Estudio sobre una sonatina de Alard 2’14 26 Estudio de velocidad 1’29 27 Estudio sobre un tema de La traviata de Verdi 0’58 28 La mariposa 1’09 29 Estudio sobre ‘Andante en etude’ de Émile Prudent 2’04 30 Estudio sobre un fragmento de Schumann 0’52 31 Fantasía sobre motivos de La traviata de Verdi 6’01 32 Gran jota de concierto 9’21 Compact Disc 3 Transcriptions by Francisco Tárrega Frédéric Chopin 1810–1849 1 Nocturne in E flat Op.9 No.2 4’24 2 Mazurka in G sharp minor Op.33 No.1 1’23 3 Mazurka in B minor Op.33 No.4 5’12 4 Mazurka in A minor Op.67 No.4 3’05 5 Waltz in A minor Op.34 No.2 4’52 6 Prelude in E minor Op.28 No.4 1’43 7 Prelude in B minor Op.28 No.6 1’31 8 Prelude in A Op.28 No.7 0’36 9 Prelude in D flat Op.28 No.15 3’56 10 Prelude in C minor Op.28 No.20 1’06 Robert Schumann 1810–1856 11 Fantasiestücke Op.12 No.1 ‘Des Abends’ 2’58 12 Albumblätter Op.124 No.16 ‘Schlummerlied’ 3’32 13 Bunte Blätter Op.99 Albumblätter 1’21 14 Bunte Blätter Op.99 No.1 ‘Nicht schnell, mit Innigkeit’ 1’53 15 Album für die Jugend Op.68 No.12 ‘Knecht Ruprecht’ 1’25 16 Novelletten Op.21 No.1 ‘Romanza’ [Tárrega’s title] 1’23 17 Kinderszenen Op.15 No.7 ‘Träumerei’ 2’03 Ludwig van Beethoven 1770–1827 18 Minuet WoO10 No.3 2’04 19 Piano Sonata No.8 ‘Pathétique’ Op.13 – II. Adagio cantabile 4’00 20 Symphony No.7 Op.92 – II. Allegretto (fragment) 1’37 21 Sonata Op.2 No.2 – III. Scherzo 3’40 22 Sonata No.4 Op.7 – II. Largo 4’48 23 Septet Op.20 – IV. Andante (1st Variation) 0’58 24 Sonata No.14 ‘Moonlight’ Op.27 No.2 – I. Adagio 4’17 25 Franz Schubert Sonata No.18 D894 – Minuet 4’12 26 Hector Berlioz La damnation de Faust – Ballet des Sylphes 2’09 Edvard Grieg 1843–1907 27 Lyric Pieces Op.43 No.2 ‘Solitary traveller’ 0’52 28 Norwegian Folk Songs Op.66 No.13 ‘A little grey man’ 1’26 29 Peer Gynt Op.23 – The Death of Åse 3’14 30 August Heinrich von Weyrauch Nach Osten 1’41 Compact Disc 4 Transcriptions by Francisco Tárrega Johann Sebastian Bach 1685–1750 1 Sonata No.1 for Solo Violin BWV1001 – II. Fugue 4’06 2 Suite No.3 for Solo Cello BWV1009 – V. Bourrée I – VI. Bourée II 3’00 3 Partita No.1 for Solo Violin BWV1002 – VII. Tempo di bourrée 3’10 Wolfgang Amadeus Mozart 1756–1791 4 String Quintet No.5 K593 – III. Minuet 4’28 5 String Quartet No.15 K421 – III. Minuet 3’37 Joseph Haydn 1732–1809 6 String Quartet Hob.III:74 – II. Largo assai 3’10 7 Keyboard Sonata Hob.XVI:33 – III. Tempo di minuetto 1’22 8 Baryton Trio Hob.XI:87 – III. Minuet 1’54 9 ‘Ox Minuet’ Hob.IX:27 2’38 George Frideric Handel 1685–1759 10 Chorale 2’22 11 Samson HWV57– Minuet 1’43 12 Georges Bizet L’Arlésienne – No.19 Mélodrame: Adagio 1’40 13 Richard Wagner Tannhäuser – March 4’14 14 Arrigo Boito Mefistofele 6’04 15 Giacomo Meyerbeer L’Africaine – Morceau d’ensemble et Finale 3’52 Felix Mendelssohn 1809–1847 16 Lieder ohne Worte Op.30 No.6 Venetianisches Gondellied 2’41 17 Lieder ohne Worte Op.19b No.6 Venetianisches Gondellied 2’07 18 Adolf Henselt Estudio (Suspiro de amor) 1’32 19 Giovanni Bolzoni String Quartet in B flat – Minuet 3’07 20 Rafael Calleja Gómez El ratón (Tango) 1’32 21 Eduardo Di Capua O sole mio 1’27 22 Quinito Valverde El pobre Valbuena (Polka) 2’34 23 Carlos García Tolsa Tango 1’58 24 Sebastian de Iradier La Paloma (Habanera) 2’09 25 Isaac Albéniz Suite española Op.47 – No.5 Sevilla 4’11 CD TARREGA GUITAR EDITION - 4 CD's GIULIO TAMPALINI, guitar (C)2015 Brilliant CLassics CD 1-2 Original Works CD 3-4 Transcriptions Bartok Studio Bernareggio Italy Sound Engineer: Raffaele Cacciola Guitar Philip Woodfield 2010 Strings: Aquila Perla Booklet notes: Angelo Gilardino http://www.brilliantclassics.com/ Guarda l'articolo nell'archivio delle Novità Discografiche
  21. Dal nuovo progetto discografico Angelo Gilardino Music for Solo Guitar 1965-2013​ che Brilliant Classics​ distribuirà in Agosto, ecco una delle pagine di Gilardino​ che amo di più. "Cavaliere di Malta" da "Due Ritratti Italiani" Buon ascolto e fatemi sapere se è di vostro gradimento. https://soundcloud.com/cristianoporqueddu/angelo-gilardino-due-ritratti-italiani-ii-cavaliere-di-malta
  22. Antonio Vivaldi Edition (66 CD-box) Newly recorded Vivaldi works by L’Arte del’Arco, led by the eminent Federico Guglielmo (with numerous record awards to his name), a new recording of the complete Oboe Concertos, Juditha Triumphans by Modo Antiquo under Fedrico Maria Sardelli, the famous Gloria by the Virtuosi Saxoniae, and new recordings by Early Music specialists Stefano Bagliano, Paolo Pollastri & Lorenzo Cavasanti. The master of Italian Baroque music is indisputably Antonio Vivaldi. Throughout his life, he composed hundreds of works, and is remembered perhaps second only to J.S. Bach, ranking as one of the most popular composers of all time. His oeuvre crosses an extraordinarily wide range, from instrumental compositions of all types to sacred cantatas and operatic works, a vast number of which are presented in this comprehensive box set. Info > http://www.brilliantclassics.com/articles/v/vivaldi-edition/
  23. Il 29 Settembre del 2010, iniziai a riprendere lo studio iniziato molti anni prima in Accademia Perosi delle composizioni di Angelo Gilardino. Lo stesso giorno stesi un percorso lavorativo che mi ha portato fino all’estate del 2012, periodo nel quale iniziai le registrazioni di tutta la musica per chitarra sola che il compositore piemontese aveva scritto dal 1965 ad allora. Le registrazioni iniziarono nel mese di Giugno di quell’anno e vanno avanti da oltre 2 anni. Esattamente quattro anni fa, quindi. Per questo compleanno dell’idea pubblico l’intera Sonata Mediterranea (contenuta anche nel recentissimo cofanetto Novecento Guitar Sonatas) che sarà ovviamente inclusa nel corposo box finale e che verrà distribuito da Brilliant Classics in oltre 40 paesi. Buon ascolto. https://soundcloud.com/cristianoporqueddu/sets/angelo-gilardino-1941-sonata-mediterranea
  24. Barrios Competition Laureate Series - Emanuele Buono In veste di direttore artistico del Agustin Barrios International Guitar Competition comunico che dal mese di Luglio 2013 la major discografica olandese Brilliant Classics inizierà la distribuzione del secondo volume della nuova collana "Barrios Competition Laureate Series" dedicata alla musica originale per chitarra del Novecento e Contemporanea. Nel dettaglio, la tracklist del secondo volume ------------------------------------------------------------------- Leo Brouwer (1939) Estudios Sencillos Nuevos estudios sencillos (2001) Preludios Epigramaticos ------------------------------------------------------------------- L'intero lavoro di registrazione ed editing è stato affidato al Me.To. Recording Studio di @Ermanno Brignolo che ha svolto un lavoro impeccabile sotto tutti i punti di vista. Me.To. Recording Studio | http://goo.gl/HDxfC Maggiori informazioni: http://www.prestoclassical.co.uk/r/Brilliant+Classics/9445 Leggi la scheda di questo/a novità discografica
  25. L'etichetta discografica Brilliant Classics pubblica il CD Diabelli: Complete Guitar Sonatas del chitarrista italiano Claudio Giuliani. Tracklist: Sonata No. 1 in C Major Sonata No. 2 in A Major Sonata No. 3 in F Major Anteprime: https://itunes.apple.com/album/diabelli-complete-guitar-sontatas/id627996959 Dal sito dell'editore: Perhaps best known for writing the waltz on which Beethoven based his Diabelli Variations, Anton Diabelli was also an established composer and musician in his own right. Resident in Vienna in the late 18th and early 19th centuries, Diabelli was a good friend of Franz Schubert. Thanks to the emergence of an educated middle class, there was less and less dependence on religious or royal patronage. Diabelli’s sonatas for guitar, widely considered to be masterpieces of the guitar repertoire, reflect Viennese musical taste at this time. They were his only foray into sonata form, and document the evolution of the composer’s style. The first sonata includes so-called ‘Italianisms’ while the second has a distinctly Schubertian flavour, no doubt due to his close friendship with the composer. The third sonata shows a more revolutionary take on the principles of sonata form where many of the ideas are challenged. The second part of the first movement contains such drama and skill in the development of the themes that it is considered one of the finest passages in the guitar sonata repertoire. Acclaimed Italian guitarist Claudio Giuliani trained at the Santa Cecilia Conservatory in Rome. He has published transcriptions of 82 sonatas by Domenico Scarlatti, and has previously recorded 30 sonatas by Domenico Cimarosa for Brilliant Classics in 2011. Maggiori informazioni: http://www.brilliantclassics.com/articles/d/diabelli-complete-guitar-sonatas/ Leggi la scheda di questo/a novità discografica
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